“When I looked at mourning as a possible space for agency—or at least as a form or an aesthetic—I was thinking about the relationship between proximity and distance. The Internet can allow forms of mourning that aren’t always possible in real life, especially for minority groups, but it also exploits it. It is, for me, one of the questions of our time; how do we navigate the co-option of the Internet and social media?”
Ashery’s won the prestigious Jarman Film Award in 2017 for her web-series Revisiting Genesis, interfacing documentary and fiction and looking at the emergent field of death, dying and the digital, http://revisitinggenesis.net. In this emergent context Ashery published her book How We Die Is How We Live Only More So, Mousse Publishing, 2019, including new writing by T.J Demos, Rizvana Bradley, Mason Leaver-Yap, Imani Robinson, George Vasey and Bárbara Rodríguez Muñoz. Expanding this field of enquiry, Ashery’s film Dying Under Your Eyes, 2019, captures moments of intimate surveillance and assembles a collage of daily experiences and rituals, both real and imaginary, leading up to the sudden death of her father in 2018. The film was commissioned by Wellcome Collection as part of the long duration exhibition Misbehaving Bodies: Jo Spence & Oreet Ashery, May 2019- January 2020.
In 2017 Ashery exhibited the sonic performance Passing Through Metal. For the duration of approximately two hours per concert, audiences are invited to pass through the sound of metallic-rain produced by forty local knitters who use eighty metal knitting needles, each attached to a pick-up microphone. The metallic sounds are interrupted by heavy sonic wall of growling vocal and instrumental doom from a local death metal band. The work was shown in LPS; Malmo, Donaufestival; Krems and Kettle’s Yard; Cambridge.
In 2013 Ashery created Party for Freedom, an Artangel commission, combining twenty-five live performances in domestic settings, offices and pubs, a ten-track Audio Visual album, largescale live concerts with originally commissioned music and activist public programmes People vs Freedom including Silvia Federici’s talk Land, Animals and Women. The project focused on freedom rhetoric by the far right as it collapses into the aesthetics of historical lefty artistic liberation movements.
Oreet Ashery’s unique, private virtual studio visit will run approximately 1 hour. The visit will consist of the following:
Teleconference in to Ashery’s studio. She will discuss her work, such as upcoming, current and past exhibitions and projects, and some influences related to her artistic practice, conceptual framework and process.
You might view some documentation, videos, readings, or do some remote desktop sharing related to her work or ongoing research. Take a look at her workspace and perhaps even some works in progress.
In response to Covid-19 and following government advice, all studio visits will be virtual until further notice and prices have been adjusted accordingly. After selecting your studio visit date and time and upon your Booking Request being accepted by the artist, you will receive an email with a unique link to Google Hangouts, Skype or Zoom where Oreet Ashery will be hosting her live virtual studio visit with you.
Cancellation policy – Any studio visit can be cancelled and fully refunded within 24 hours of purchase, or at least 7 days before the studio visit starts.
Please note, Booking Requests may take up to 48 hours for confirmation by the artist. Your payment will not be taken until your Booking Request is confirmed. If you would like to make a Booking that will take place within 48 hours, you may do so however it is at the discretion of the artist to confirm in time.